Unpopular Front

Unpopular Front

Share this post

Unpopular Front
Unpopular Front
More Adorno; Trump's Paleocon Foreign Policy; Christopher Hitchens on Ross Perot
Copy link
Facebook
Email
Notes
More

More Adorno; Trump's Paleocon Foreign Policy; Christopher Hitchens on Ross Perot

Reading Watching 01.26.25

John Ganz
Jan 26, 2025
∙ Paid
116

Share this post

Unpopular Front
Unpopular Front
More Adorno; Trump's Paleocon Foreign Policy; Christopher Hitchens on Ross Perot
Copy link
Facebook
Email
Notes
More
10
12
Share

Good morning! This is a regular feature for paid subscribers wherein I write a little bit about what I’ve been reading and/or watching. Hope you enjoy!


The Trump administration arrives in D.C. — “Riding Around,” Philip Guston, oil on canvas, 1969 — Metropolian Museum of Art

I’m pleased to announce that When the Clock Broke is a finalist for the National Books Critics Circle John Leonard Prize.

The finalists for the 2024 John Leonard Prize, given to an outstanding first book in any genre, are By the Fire We Carry: The Generations-Long Fight For Justice on Native Land by Rebecca Nagle (Harper), Feeding Ghosts: A Graphic Memoir by Tessa Hulls (MCD/Farrar, Straus and Giroux), Great Expectations by Vinson Cunningham (Hogarth), Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius by Carrie Courogen (St. Martin’s), Ward Toward by Cindy Juyoung Ok (Yale University), and When The Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s by John Ganz (Farrar, Straus and Giroux).

In case you missed it,

Max Read
and I spoke to historian Quinn Slobodian about Elon Musk, Peter Thiel, Mark Zuckerberg, and what all those characters are really up to.

Unpopular Front
Talking to Historian Quinn Slobodian with Max Read
This week on our untitled, occasional podcast, Max Read of Read Max and I hosted our first guest: the mighty Quinn Slobodian, professor of international history at Boston University…
Listen now
4 months ago · 64 likes · 6 comments · John Ganz, Max Read, and Quinn Slobodian

This past week, I read Theodor Adorno’s essay “Freudian Theory and the Pattern of Fascist Propaganda,” a classic work of the Frankfurt School combination of psychoanalysis and social theory. Written in 1951 and building on the work of Lowenthal and Guterman, which I’ve discussed here previously, I think many of its observations hold up pretty well:

While appearing as a superman, the leader must at the same time work the miracle of appearing as an average person, just as Hitler posed as a composite of King Kong and the suburban barber…. Even the fascist leader's startling symptoms of inferiority, his resemblance to ham actors and asocial psychopaths, is thus antic­ ipated in Freud's theory. For the sake of those parts of the follower's narcissistic libido which have not been thrown into the leader image but remain attached to the follower's own ego, the superman must still resemble the follower and appear as his " enlargement ." Ac­cordingly , one of the basic devices of personalized fascist propaganda is the concept of the " great little man," a person who suggests both omnipotence and the idea that he is just one of the folks, a plain, red­ blooded American, untainted by material or spiritual wealth. Psy­chological ambivalence helps to work a social miracle. The leader image gratifies the follower's twofold wish to submit to authority and to be the authority himself.

Or here:

…fascism does not altogether speak the untruth when it refers to its own irration­ al powers, however faked the mythology which ideologically rationalizes the irrational may be. Since it would be impossible for fascism to win the masses through rational arguments, its propaganda must necessarily be deflected from discursive thinking; it must be oriented psychologically, and has to mobilize irrational, unconscious, regressive processes. This task is facilitated by the frame of mind of all those strata of the population who suffer from senseless frustrations and therefore develop a stunted, irrational mentality. It may well be the secret of fascist propaganda that it simply takes men for what they are: the true children of today's standardized mass culture, largely robbed of autonomy and spontaneity, instead of setting goals the realization of which would transcend the psychological status quo no less than the social one. Fascist propaganda has only to reproduce the existent mentality for its own purposes;-it need not induce a change-and the compulsive repetition which is one of its foremost characteristics will be at one with the necessity for this continuous reproduction.


This post is for paid subscribers

Already a paid subscriber? Sign in
© 2025 John Ganz
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share

Copy link
Facebook
Email
Notes
More