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Phil's avatar

Enjoyed this. One of the more horrifying examples I've seen of the process of machines working through us is in Keegan's The Face of Battle:

The machine-gunner is best thought of, in short, as a sort of machine-minder, whose principal task was to feed ammunition belt into the breech, something which could be done while the gun was in full operation, top up the fluid in the cooling jacket, and traverse the gun from left to right and back again within the limits set by its firing platform. Traversing was achieved by a technique known, in the British Army, as the 'two inch tap': by constant practice, the machine-gunner learned to hit the side of the breech with the palm of his hand just hard enough to move the muzzle exactly two inches against the resistance of the traversing screw. A succession of 'two-inch taps' first on one side of the breech until the stop was reached, then on the other, would keep in the air a stream of bullets so dense that no one could walk upright across the front of the machine-gunner's position without being hit – given, of course, that the gunner had set his machine to fire low and that the ground as devoid of cover. The appearance of the machine-gun, therefore, had not so much disciplined the act of killing – which was what seventeenth-century drill had done – as mechanized or industrialized it.

Part of the utility of this is also in the shift in the relation of the machine-minder to the act of killing. This seems to have something to do with Enframing as you characterize it, enabling the machine-minder to stand in a different relation to the violence he's doing.

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Oblomovism's avatar

Thank you for this very stimulating essay—and for all the work you're doing on here. I think an important post-modern aspect of what makes twitter so crazy-making is that the promise of posting is, as you noted, in your previous piece, the promise of recognition and exposure. If you want to make a living as a writer/podcaster/journalist/pundit, you need to be visible on twitter. This means that in addition to all the work essay and book writing requires, you also need to be participating in the twitter economy so that when your work comes out, you have an audience primed to engage with it. You produce free content for twitter and facebook, and the payoff you get is recognition that you may be able to monetize down the road. Say what you will about Fordist capitalism, but those factory workers were getting paid for their time. The twitter economy, like any developed economy in the 21st century, is highly speculative and basically a matter of cruel optimism.

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